On that journey he had a series of very unfortunate events one was the loss of all his tools. In 1851 he traveled to Switzerland where he learned watch and clockmaking. George Hess was born in Wurttemberg, Germany, in 1833. It is the only one of three tower clocks built by George Hess of Zurich, Ontario, still in use. The tower clock that our chapter was involved in restoring has great local historical importance. The church paid for the equipment and parts, and labor was donated.ġ905 Gustav Becker carousel disc pendulum.Ĭlass 25: Chapter Institutional and Public Clock Restorationįirst Place: Chapter 92-Southwestern Ontario The man who wound the clock weekly for decades wanted to retire, but he would not until someone installed an automated winding system. Howard “roundtop” time-and-strike tower clock for the Federated Church in Chagrin Falls, OH. Replacement statues cast of plastic and finished with parts replaced and painted.ĭesigned, built, and installed automated rewind system on an E. Jerry Hahn photo.Ĭlass 20: Metal Engraving and Decorative Metal Parts All fabrication, carving, and finishing were done by me. I recreated the carved columns, splat, and feet.Ībiel Chandler lyre banjo clock made with wild cherrywood cut from my property. GREG GORDON.Ĭ&LC Ives triple-decker clock. To duplicate this, I mixed regular bronzing powder with trace amounts of “carbon black” in the lower areas only. The original from which this was copied shows that on the lower area the stenciling was oxidized and darker. Stenciled and reverse-painted tablet from a C&N Jerome clock. Upper tablet was copied from a Hopkins & Alfred clock, and the lower tablet was copied from another Riley Whiting clock. Pair of reverse-painted tablets in a single door of a Riley Whiting clock. Reverse-painted tablet that is lithograph applied to the glass in the same manner that is believed to have been originally done in the 1830s. All restoration work done by entrant, including silk-screening the dial and fashioning the crank. Neither the country of origin nor the maker is known. Period dial obtained and top glass replaced with old glass.Ī small European tower clock restoration. Lacquer finish and waxed applied and new movement mounting made. Wood knot in the bottom replaced, case pulled together and all wood cleaned and restored. Dust covers replaced and movement cleaned. Veneer replaced: four corners and two sides. Replacement gears fitted in the movement (as found the movement plates and escape wheel were present, but all other gears were missing). New splat made, columns stenciled, and hole repaired in the dial. Splats, feet, and finials for European and American clocks that are cast from plastic.Ĭlocks whose structure has been broken and repaired with cast plastic and finished. Statue was hand-painted and restored using artist oil paints. Honorable Mention: Hugh Overton (MO) Case is constructed from a detailed article by Brian Rogers in the October 1993 NAWCC Bulletin.Īnsonia Fisher swing figure. The maker cut the hinges and escutcheon plate and made the pattern for the mold for the cast bronze finials. The case is poplar with 1/16" walnut veneer. Plans were found in a book by George Bruno. Third Place: Edward Arthur (CAN) Eli Terry-style pillar and scroll case. The egg and dart trim and hardware were purchased. The case is made of solid walnut and the insignia is made of maple. The clock case has egg and dart trim on the canopy as was used in the building of the temple 100 years ago. Houchin (NY) The intent of the clock case was to represent the presiding officer station in the Masonic Temple in Laramie, WY. See case on facing page.Ĭlass 6: Wood Clock Cases-Solid or Veneered The front and back plates, dial, gear blanks, side plates for the pulley, square and compass overlay on the dial, and computerized drafting were provided by others. The movement was designed with Masonic and Eastern Star symbols to reflect our involvement in various Masonic organizations. The great wheel was enlarged from 108 teeth to 128 teeth, and the center pinion was modified accordingly. The plates and dial have been modified to fit my specific movement. The basic design of this movement was taken from the book How to Make a Skeleton Clock by W. This original design was conceived in spring 2010 and took more than one year to complete. Flamed blued hands and screws provide a rich contrast against the ornate, hand-pierced, and hand-engraved dial. “A Clockmaker’s Art” is an 8-day, weight-driven precision skeleton movement with a “true seconds” compensating pendulum and Brocot escapement. Class 1: Single-Train Clock Movements - Metal
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